Black wuchs in Seattle/Washington auf. 1985 ging er nach Boston, um das Berklee College of Music zu besuchen. Bereits in dieser Zeit nahm er erste Alben mit der Gruppe Human Feel auf, zu der Chris Speed, Kurt Rosenwinkel und Andrew D’Angelo gehörten, und unternahm Tourneen durch Europa. Dann ließ er sich zunächst in Seattle nieder, wo er mit Wayne Horvitz arbeitete.
1991 zog er nach Brooklyn, wo er Mitglied von Tim Berne's Bloodcount, Dave Douglas' Tiny Bell Trio und des Ellery Eskelin Trio wurde. Daneben arbeitete er auch mit Paul Motian, Charlie Haden, Uri Caine, Christopher Dell, Carla Bley, Nels Cline, Peter Epstein und Matt Darriaus Paradox Trio. Mit Chris Speed, Skúli Sverrisson und Brad Shepik gründete er zunächst Pachora und dann mit Speed, Sverrisson und Hilmar Jensson die eigene Band AlasNoAxis, mit denen er jeweils mehrere Alben aufnahm. Weiterhin ist er Mitglied des Trio Azul mit Carlos Bica und Frank Möbus. Neben den Aufnahmen mit der eigenen Band ist er auf über einhundert Alben als Sideman zu hören. Auch tourte er mit Laurie Anderson und setzte sich intensiv mit elektronischer Musik auseinander.
Chris Speed is a composer, clarinetist and saxophonist..
- and is “one of the principal figures in a dynamic left-of-center jazz/improv scene in the city” (NYTimes). His own bands include Endangered Blood, Human Feel, yeah NO, Trio Iffy, Pachora and The Clarinets. He is a founding member of Jim Black’s Alas No Axis and John Hollenbeck’s Claudia Quintet (two of the most influential working bands today), works with Uri Caine (deconstructing works by Mahler, Mozart, Bach, Schoenberg, Gershwin) and maintains a busy career of touring, recording, performing, composing, practicing and teaching. Current projects include work with Craig Taborn's Heroic Frenzies, Michael Formanek's Ensemble Kolossus, Dave King's Trucking Co., Matt Mitchell Quartet, Mary Halvorson's Reverse Blue, Banda de los Muertos (NYC’s only Banda band), as well as touring his latest project, Endangered Blood (with Black, Trevor Dunn and Oscar Noriega) which was featured on NPR’s Tiny Desk Concerts in 2012. (Endangered Blood 2010, Work Your Magic 2013 Skirl). “Speed’s Endangered Blood originals stand out as his most melodically generous, accessible and warm batch of compositions he’s yet to produce.” -DownBeat ****
Born in 1967, Speed grew up in the Seattle area where he met future colleagues Jim Black and Andrew D'Angelo, all of whom ended up in Boston in the late 80's where they formed Human Feel with guitarist Kurt Rosenwinkel. (Scatter 1992, Welcome to Malpesta 1994, Speak To It 1996, Galore 2007). While in Boston he studied at New England Conservatory and graduated in 1990. By 1992, after a short tour with the Artie Shaw Band (led by Dick Johnson), Speed moved to New York City where he started working with Tim Berne’s (now legendary touring band) Bloodcount. (Unwound 1996, Discretion 1997, Saturation Point 1997, The Seconds 2006).
Throughout the nineties his formidable improvisational approach on both tenor saxophone and clarinet contributed to other pioneering NYC bands including the Dave Douglas Sextet (Witness, Soul on Soul, Sanctuary, Stargazer, In Our Lifetime), Myra Melford’s Same River Twice (Above Blue, Where the Two Worlds Touch) John Zorn (Bar Kokhba, Trembling Before G-d) and Mark Dresser’s trio with Anthony Coleman.
As a member of Pachora (with Black, bassist Skuli Sverrisson, and guitarist Brad Shepik) Speed became known as one the leading NYC musicians adapting the odd time signatures and melodies of Balkan music into jazz-based music. Pachora was formed in 1992 to play music from Bulgaria, Greece, Macedonia, and Turkey, and evolved into an original music ensemble that toured North America and Europe extensively. (Astereotypical 2003, Ast 2000, Unn 1999, and Pachora 1997. His fluency with East European folk music is also documented with the more traditional Slavic Soul Party, which he was member of from 1996-2004. In addition to touring America, they spent 2 weeks in Macedonia with Rom musicians and recorded “In Makedonija” (Knitting Factory Records) at an underground radio station in Skopje.
His critically acclaimed improvisational trio The Clarinets (with Oscar Noriega and Anthony Burr and featured on NPR’s Fresh Air) explores the possibilities of the clarinet (multi-pitch tones, timbre deviation) in the context of group improvisation. This group blurs the boundary between composed chamber music and experimental improvisation and creates an acoustic ambient music of unusual grace and beauty. (The Clarinets 2006, Keep On Going Like This 2012)
Speed formed the band yeah NO in 1996 as an experiment in decoding and scoring out improvisations which inspired an unusual book of music that also fused elements of free jazz, modern rock, eastern folk and minimalism. After the debut record in 1997, they thrived in the center of new music in NYC, performing frequently at the previous Knitting Factory(s) and (the since closed) Tonic. They toured the States and Europe and have four recordings. (yeah NO 1996, Deviantics 1998, Emit 2000, Swell Henry 2004)
Speed was named the rising star clarinetist in Downbeat magazine for 2004, 2005 and 2006, was the recipient of a NEA composition grant in 1993, and in 2004 was the guest soloist at the Copenhagen International Jazz Festival working with over 10 different cutting edge Danish bands.
In April 2006, he launched Skirl Records, a label dedicated to Brooklyn based creative music, now with 31 releases. “As a document of the fertile Brooklyn scene, Skirl has few equals, skirting the boundaries between jazz, rock, electronic, classical and improvised music.” AllAboutJazz
Hilmar (b.1966) first picked up the guitar at the age of six but started studying formally at age eleven. Graduated from FIH School of Music in 1987.
BM degree from Berklee College of Music in 1991. Private lessons with Mick Goodrick, Jerry Bergonzi, Hal Crook and Joe Lovano.
Performed and recorded in a wide variety of settings and appeared on over 50 records including 8 as a leader or co-leader.
Performed in 35 countries with his trio "TYFT",
Jim Black’s AlasNoAxis, Trevor Dunn's MadLove, Mogil, Outhouse, BMX and others.
One the founders of Kitchen Motors, an Icelandic record label, think tank and art organization.
Recorded and/or performed with Tim Berne, Andrew D’Angelo, Jim Black, Chris Speed, Skuli Sverrisson, Trevor Dunn, Herb Robertson, Eyvind Kang, Marc Ducret, Chris Cheek, Seamus Blake, Cuong Vu, Tom Rainey, Peter Evans, Matt Garrison, Briggan Krauss, Ben Perowski, Jamie Saft, Ches Smith, John Zorn, Ted Reichmann, Ben Street, Wadada Leo Smith, Arve Henriksen, Terje Isungset, Per Jörgensen, Per Oddvar Johansen, Anders Jormin and many others.
Skúli Sverrisson (born 23 October 1966) is an Icelandic composer and bass guitarist.
He has worked with musicians Wadada Leo Smith, Derek Bailey, Lou Reed, Jon Hassel, David Sylvian, Arto Lindsay, and composers Ryuichi Sakamoto, Jóhann Jóhannsson, and Hildur Guðnadóttir. He is known for his work as artistic director for Ólöf Arnalds, recordings with Blonde Redhead, and as musical director for Laurie Anderson.
Sverrisson released duo albums with Anthony Burr, Oskar Gudjonsson, and Hilmar Jensson. He has been a member of Pachora, Alas No Axis, the Allan Holdsworth group, and the Ben Monder group. His solo works include Seremonie in 1997 and Sería in 2006. Seria was chosen Best Album of the Year by the Icelandic Music Awards. Sverrisson plays dobro, double bass, and charango, in addition to bass guitar.
He has composed music for the Icelandic Dance Company (Open Source), the National Theatre of Iceland (Volva), and films and installations such as Welcome and Music for Furniture with Olafur Thordason, Spatial Meditation with Claudia Hill, and When it was Blue with filmmaker Jennifer Reeves.
Sverrisson founded Seria, an ensemble featuring Amedeo Pace, Ólöf Arnalds, David Thor Jonsson, Anthony Burr, Eyvind Kang, and Hildur Guðnadóttir in 2005. He released Seria in 2006 and Seria ll in 2010. Sverrisson has won five Icelandic Music Awards, including Icelandic Album of the Year for Seria in 2006.
He has appeared on over one hundred recordings and has performed with Hildur Guðnadóttir, Hilmar Jensson, Jim Black, Chris Speed, Anthony Burr, Laurie Anderson, Allan Holdsworth, Ryuichi Sakamoto, David Sylvian, Blonde Redhead, Yungchen Lhamo, Jamshied Sharifi, Ólöf Arnalds, Pachora, and Alas No Axis. He was a part of Mo Boma with Jamshied Sharifi and Carsten Tiedemann, releasing four albums on Extreme; "Jijimuge", "Myths of the Near Future - Part One", "Myths of the Near Future - Part Two" and "Myths of the Near Future - Part Three".
Jim Black "Alas No Axis" am 21.03.2020 (Obere Mühle)
Essen ab 17:30, Türe um 19:45, Konzert um 21:30 Eintrittspreise: CHF